[Black Noise | Part Five - Pico] by
Pundit [clostridia@bigfoot.com]
Legal : The characters in this story are copyright Archie
Comics and SEGA, and are used without permission. This
story itself may be freely distributed without the
consent of the author, provided it remains unmodified.
The author asserts his right to be identified as the
creator of this work, and therefore its owner.
Note : Hi, this is Pundit, for those of you who are
unfamiliar with me. This is the second part in another
series (Shades of Grey was the first). Oh, and it's
advisable to read Shades Of Grey before this series,
although that's not exactly essential.
Comments/flames/criticism, and other delightful things
are encouraged; feel free to send them to clostridia@bigfoot.com.
And if you haven't noticed, there are no, and there
will never be, any
fan-characters/self-inserts/liberties-with-the-continuity/delightful-ripoffs-of-the-chaos-emeralds
in my writing.
Admittedly, I did take quite a lot of advantage of
Kragok's character last series, and wrote a few whopping
bloopers before I finally discovered a shop selling
Knuckles comics (err... about six months after they
cancelled it).
Anywayyyy.... with that I'll leave you to the story. Do
enjoy it.
-------------------------------------
How do you fight a war? You use weapons, valor, courage.
How do you fight an organization? You use rebellion,
guerilla tactics, individuality.
How do you fight a particle the size of a cell? You
don't. You can't.
***
She can feel the ruffled sheets beneath her arms and
legs, and a gentle breeze that caresses her face every
now and then. Through closed eyes, she knows the room is
a warm shade of sunlit yellow, but she doesn't want to
wake up. Not at all.
She wants to stay on her back, to enjoy her deliciously
weary state. Her mind is perfectly at peace, placid and
undisturbed like a white winter pond.
She feels a cold metal bedframe under her fingers.
Metal.
This is not her bed.
With that thought, her eyelids spring open, propelled by
the suddeness of the shock, and the fear that seeps into
her heart.
Then the images begin to pour in. Slowly at first, then
faster and faster, cascading over her head, past the
realm of thought, into the pit of feelings.
Poison.
Horror.
Pain.
She begins to hyperventilate, just as a nurse sweeps in.
'Lady Lara!'
The nurse whips out a bottle from the unfathomable depths
of her apron, grasping it like a talisman. She extracts a
little round blue pill, and gives it to the former coma
victim, who palms it and gulps it down like a fish
gasping for air.
'I'm sorry...' A sheepish, wan smile.
'Nothing to worry about, ma'am - it's just a temporary
side effect. Lie back and try to relax. I'll contact your
husband, shall I?'
She nods gratefully, and settles back, accepting a copy
of the newspaper with a smile, as the nurse prepares to
bustle right back out of the room.
'What??!'
The screech comes as she's about to close the door, and
she pokes her head back in with a bovine statement of
puzzlement and concern. Lara looks at her neutrally, as
if nothing of note has happened.
'Thank you, nurse.'
The tone is final enough; the nurse knows to shut the
door.
***
The drapes are in position, forming a gauzy barrier
between the cool grey darkness of the room, and the
brilliant yellow photon shower outside. He likes to think
of it as his personal fortress.
An optical disk rotates lazily on a spindle, round and
round, the silkscreen on top a spinning blur, as the
laser reads an unending procession of pits. Words, drums,
guitar, it's all the same thing to the player, which
tirelessly converts analogue to digital, and back again.
Kragok pulls off the headphones and listens briefly to
the tinny, thin, and yet audible noise that fills a space
in between his hands.
He wants to think quietly.
His right hand lifts towards his left eye as if floating,
drawn by an invisible thread. Slowly, he traces the
border between meat and metal. Soft and hard. Warm and
cold.
If the doctors aren't lying, he could choose warm and
warm.
Really?
He ponders his existence, and stops in mid flow, unable
to continue.
What is normal? What am I in relation to that? What do I
want to change? Why?
He imagines he could stay like this for an eternity,
lodged in a recliner, not caring what happens outside the
room. Just thinking, just being. At peace, even if he has
no answers.
What he has got is an appointment.
***
No hurry at all; he knows this takes time.
So many times he's done this, and what was once a
strangely abhorrent ritual is now as prosaic as wearing
clothes.
Very slowly, he picks up a shiny sphere, which goes into
the recessed metal panel on his back, and braces for the
moment of all encompassing coldness, as if every vein in
his body contracts in unison. Waves of nausea lap the
back of his throat, but he keeps whatever's in his
stomach down. There is a peculiar sensation in the back
of his head, like a microscopic drill boring a shaft
through his brain, an acute, local pain that doesn't so
much upset as incapacitate.
But he's had years to get used to the sensations, and the
extra functionality more than makes up for the
inconvenience. Besides, he wasn't equipped with
formidable servo assisted limbs, nor broad spectrum
electronic eyes, nor even an integrated computer. Just a
little port in his back, more of a symbol of his
allegiance than anything else.
He yanks out a few squares of toilet paper from the
dispenser in the wall in a desultory manner and makes
papery noises. The belt gets straightened, the tie
cruelly yanked tight, and the paper goes in the porcelain
bowl (he takes a moment to reflect on some fundamental
principles which never change, like the ones to do with
organic waste disposal), which flushes obligingly,
announcing to all that yes, he visited the toilet for a
legitimate reason.
He never does things by half; although it might seem a
little like overkill, meticulousness brought him success,
and only a fool changes winning ways anyway.
A lost moment, as he grins to himself, savoring the sheer
audacity of it all.
Hah - air freshener. He likes that.
With delicate motions, he couples the tube to the
briefcase and presses a concealed button. In five
minutes, he will begin dispersal.
***
'Gentlemen. My counterpart has raised several issues, to
which I have but one thing to say. Therefore thou art
inexcusable, whosoever thou art that judgest for wherein
thou judgest another, thou condemnest thyself, for thou
that judgest doest the same things. The tomes, as my
honorable counterpart keeps saying, do have some
application to our situation.'
It's almost as if a vortex has sucked up every sound in
the building, and the only thing left is his strident
voice, declaiming truth to the world. Throwing wide the
veil over the open secret that has persisted for years.
Many, he decides, have waited as long to hear this
speech.
'We ask them to drop their front, and their parochial
excuses. We ask them not to engage in blatant hypocrisy.
We ask them to drop all pretense of moral superiority. In
short, we ask that they start being the leaders you
deserve as a people!'
***
The crowd outside the parliament building is silent,
which makes the demonstration even more ominous, because
the discontent has transcended strangely cherful
chanting, and rude violence. Just an eerie, enforced
silence, which screams to the observers that the
situation is now determinedly serious.
And then a gaggle of parlimentarians make for the front
door, are swamped by reporters, who shout questions and
take pictures, the noise building up and over itself,
forming a tall wave, flowing over the heads of all
present.
Above, thunder crashes furiously, the sound hollowly
echoing off silent buildings, and black clouds gather,
blotting out what remains of the sun, reducing it to
feeble shafts of pale light.
Someone casts the first stone, which lands with a thud,
in a brief spray of blood.
The rest is history.
***
They didn't have a chance to talk face to face, since her
hospital room was full of relatives and friends, who had
come to witness the miraculous resurrection of someone
once designated permanantly comatose.
But she had looked at him in that questing, faintly
suspicious look she could pull off so well, and once
everyone else had been chased out, including her new
husband, she told her old husband to get a wheelchair.
And he found himself obeying.
***
He planned his route yesterday, over an espresso in a
nondescript little sidewalk cafe, with a map furnished by
the city's records. It wends its way through the most
crowded areas of the hospital, including six waiting
rooms, three holding areas, and the staff lounge.
Walking down the hall, he smiles wryly as the briefcase
diffuses a invisible, vaporous cloud.
"Physician, heal thyself!", he thinks, and
almost cracks up.
He feels like he's carrying the burning torch of
Prometheus, passing large doses of the agent out to those
whom he touches. It's a curiously godlike posture, he
notices. He has control over people, he can choose to
happen to someone, he can cause someone to wish he was
never born. Armed with an invisible plume of mist,
crammed with a concentration of no less than ten thousand
per cubic centimetre.
Silent, clean, undisputably effective.
And with the almost magical aura of a clipboard, you can
belong anywhere.
***
She's determined to keep him in suspense until she's good
and ready to talk, muzzled as she is by the oxygen mask.
And although he scrutinises her face closely, he cannot
come to any valid form of certainty as to how she's
feeling.
So he contents himself with pushing the wheelchair along
at a decent clip, scrutinising random things along the
way, as is his custom when bored.
His eye sees the business suit clad drone approach; his
mind dismisses it as totally unimportant. It would, he
realised much later, be a rather large oversight.
***
Undisputably, it's some kind of shock to see a face
you've been brought up to hate just three metres away on
the other side of the corridor. It's all he can do to
stop himself from charging that wretched Guardian and
stuffing his beard down his throat - but his task is far
more important to be sidetracked by such irrelevance, and
his focus is too sharp.
And he allows himself a hidden, predatory smile when he
thinks of the many possibilities opened up by this
development.
Oh yes.
***
There's no way in hell he can sense it as it wafts
towards his inviting nostrils, pouring into them at a
frightening rate, an unstoppable crush of invaders too
small to be seen, even under a microscope.
And they blitz through the claustrophobic airways
speckled with clumps of cilia, down into the humid, warm
tubes in the abdomen, the tubes branching, and branching,
and branching yet again into individual ochre grape-like
clumps of alveoli. All around is the rhythm of life,
pounding and pounding.
The single cell thick walls are no barrier; the agent
seeps through as readily as water through porous
sandstone, into the endless flow of red, insinuating
itself like some foul black poison.
Around the body in eight minutes.
***
The doctor absently spins a pencil in his hands,
blisfully unaware of the irritation the rather spurious
habit brings to everyone around him.
'We managed to come up with a viable process just
recently - it involves a rather intricate arrangement of
substrates, and then growing the correct cells in the
correct zones. It's still rather experimental, but
Remington did recommend you, Kragok, as a possible... possible... subject...'
He flushes with embarrasment, of all emotions, and what
he once thought of as an aid, he now thinks of as a
hindrance. But he does have some form of manners, and
unlike other people, the doctor hasn't called him a
heretic and an abomination quite yet, so he tries to
maintain an attentive, open look.
'We'll have to get cell samples from the inside of
your... organic eye, and then the growing process should
take a couple of weeks, upon which we'll replace your...
r-r-'
'Oh for heavens sake, are you afraid of that damned
word?'
The doctor, taken aback, recovers swiftly.
'I'd advise you,' he says slowly, 'to go home and take a
good long think about the process.'
***
It's almost like a scene from a movie.
He steps out the door, effortlessly swinging it open, and
turns, walking down the corridor.
And he comes face to face with someone from his past.
All is quiet, save the ticking of their thoughts, quietly
incrementing in each brain.
The other one goes rather pale.
'Kragok!'
The other one yelps incoherently.
He leaps, just as the other one turns, leather shoes
squeaking horribly on the polished floor.
He misses.
***
The lights overhead dissolve into a continuous line, not
that he cares very much about such ornamental triviality.
Currently, he's trying to convert both air and glycogen
into movement at a faster rate than his pursuer.
His mind is far too scattered to think; all he knows is
that a once missing, presumed dead leader is now dead on
his tail.
It's a weird chase, really, the chief reason being that
the chase is totally silent, except for the rhythmic taps
of foot on floor, and the occassional heaving breath.
He finds himself focusing on the really minute details,
like his icy hands, chilled by the draft, the sensation
of hot air fountaining out of his mouth, and the
hypnotic, neverending whoosh of the ventilators overhead.
Ahead, a floor to ceiling window looms, and he prays that
it isn't reinforced.
He leaps through it shoulder first, curling up into a
tight ball, falling away to the ground.
***
What is his name? What is his name?
D group, Black Ops. That much he can remember.
One of their top people? Possibly.
He grunts, and speeds up, gritting his teeth, willing
himself onward. He can feel the pounding every time he
lands on his feet, a regular, systematic pounding.
Ahead, he sees his quarry leap through the glass, pieces
shattering on the floor with a marvelous cadence, and he
brings himself to an undignified, wobbling halt in front
of the now open windows, nearly cutting his face a new
outline on the jagged glass.
Too late. He leans out carefully, and sees nothing. Well
trained targets generally have a propensity towards
dissolving like sugar in a cup in waiting crowds.
***
'Running preliminary queries on all relay stations...
okay we have good responses.'
He can't quite understand Dimitri's strange obsession
with working in dim red light, when perfectly acceptable
full-spectrum white will do. He does have a theory, and
the theory goes something like dim red shadows help make
a roboticized monstrosity look about twice as large, four
times as sinister, and eight times as creepy.
But what he finds creepier is the voice Dimitri picked
out for himself - no, not the specially calibrated, high
fidelity profile they painstakingly reconstructed from
high resolution audio recordings of when he was... flesh,
but a wildly modulated, distorted, flanged, filtered
thing, which smacks of ostentation and a bad B movie.
A few taps, and he bring up a list. The list consists of
humorous names such as 'Pulmonary Embolism Build 22a',
'Arrhythmia Type 4', and 'BETA Arterial Haemorrhage'. It
was, he thought, decidedly bad taste to let the science
people dream up macabre programs designed to instruct the
agent in the art of interesting death.
'Lord Dimitri?'
'Number 141.'
His finger hovers innocently over the button. Exactly 4.6
grams of pressure will activate an unstoppable cascade.
Ah, the heck with it.
Contact.
***
They have just received a directive from their master,
and therefore they obey. In much the same manner a limb
might respond to a nervous command.
As one, they pile into the trunk route leading to the
head, up and up, past the mouth of the carotid, into the
Circle of William, the central beltway around which other
lesser vessels gather. And they disperse, carried down
separate branches into the furthest corners of the brain.
Deadly. Insidious. Efficient. Extensions of the reach of
their masters.
But not malicious. Oh no. The instructions are malicious,
but the agent itself; not at all. Really. Truly.